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Romance & You (Articles)

Stan & Ruth Bukowski
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Romantic Memoir


Chuck & Shirley
June 27, 1952

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The passage of time can
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Quotes & Poetry

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Thought of the Week: Time for New Beginnings
A series of 8 articles by Melissa Hamilton comprising a collection of principles that will allow you to make your vision for the future a reality. 
 
 

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The Writing Craft


Borders Books & Music
February 19, 2003

"Romance Heaven: Where Ideas are Created"

presented by
Melissa Hamilton
Managing Editor

 

We know that one picture is worth a thousand words. Romance authors know there are a hundred different ways to create the stories we love to read. The question we ask authors is "How do you come up with those great ideas for heroes, heroines, and plots?"

Most authors would agree that each derives their ideas in their own manner. Deborah Hale said,

I think this is something each writer approaches differently. Some have specific characters spring fully formed in their imaginations then they conceive a plot that will test those characters in interesting ways. I start from the other end. Many of my plot ideas come from combining, twisting, or resetting familiar story lines, from films, theater or fairy tales. 
Deborah Hale ("Lady Lyte's Little Secret," Harlequin Historical, January 2003; "Beauty and the Baron," Harlequin Historical, May 2003)

Some authors, like Julianne MacLean, have written stories by working with familiar surroundings.

My ideas come from everywhere, and it's different every time. My April 2003 historical, "Adam’s Promise," was inspired by actual historical events that occurred near my old hometown, when people from Yorkshire emigrated to Nova Scotia in the colonial period. I consciously dug deep for a story to set there…
Julianne MacLean ("Adam’s Promise," Harlequin Historicals, April 2003;
"Sleeping with the Playboy," Silhouette Desire, June 2003; "To Marry the Duke," Avon, June 2003)

Certainly, the world of the imagination provides writers with the canvas to create the books we love to read. The ideas that bring color and depth to the heroes, heroines, and plots come from everywhere. 

A smell, an experience, a guest at a party, a stranger in the store, or stories your grandmother told you when you were a child. These and a myriad of other conversations, locations, and literature give writers the fodder from which ideas are born to blossom into compelling romance.

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You may read more of Deborah Hale’s and Julianne MacLean’s comments by linking:  Deborah Hale and/or Julianne Maclean.

 

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