RomanceEverAfter
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Elisabeth
Fairchild
You can visit Elisabeth at www.gimarc.com/fairchild.html for a comprehensive highlight of all her books! Elisabeth is a Romantic Times "Top Pick" author and was the winner of the Golden Quill Award!
Topic Discussed by Elisabeth Fairchild Theme Question: How does a writer effectively incorporate historical elements into the story to make it true to the period? *5 basic
types of historical detail What every reader expects to find when they delve the pages of historical romance is another time, another place. From scant hint to lavish excess, the best history delving writers use historical details to deliver a true to the period time and place. However, in addition, historical detail has the ability to enhance every other element of word crafting, to become an intrinsic element of story's warp and weft. In order to do so, historical detail must work double-time, not just world building, not just encapsulating another time period, but serving other purposes within the tale. Deftly woven, effectively written historical detail cannot be removed without tearing asunder the story's fabric. Five basic types of historical detail include:
Authors with the truest grasp of a period skillfully delve into all types of historical detail with the following goals in mind. Effective historical detail can:
The following are examples of each of the above elements using specific writing examples. Whenever I start a book, I like to use historical detail in the opening scene, to accomplish all three of the following: A) Build a believable world--another time and place. B) Establish mood, tone, atmosphere, set the stage, and draw the reader into the fabric of the story. C)
Create a visual statement of theme with a parallel image or symbolic setting
that suggests the main thrust of the story. Example One "Her laughter won his attention, but it was divorce first brought them together--the Pain and Penalties proceedings--the King's attempt to dissolve his marriage to his all too licentious queen. The brass founders and coppersmiths of London would do glittering and noisy homage to their beleaguered Queen Caroline. Right down the busiest of thoroughfares to the Royal residence they marched, on this unseasonably warm fall afternoon, blocking traffic, right and left. Thousands swarmed Piccadilly to view the spectacle. Two in particular were caught up in the press. Their carriages, headed in opposite directions, slowed to a standstill, side by side. And Melody Bainbridge was laughing, in the face of hardship, in the face of fear, in the face of a nation that made spectacle of itself and its opinions over the proposed separation of its king and queen. Her laughter won Lord Hay's attention away from the inconvenient delay and the distant blare of a brass band."
Elisabeth Fairchild -2 (continue) |
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