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The Writing Craft

D.D. Maloney


Dan Davis Maloney is the author of "Sunrise on Kusatsu Harbor", the story of two lovers separated in the aftermath of Hiroshima and Nagasaki.  We asked Mr. Maloney to provide readers with details about his research and historical references. To visit his website click here.

What historical references did you utilize and find helpful in your research for Sunrise on Kusatsu Harbor?

Work on the story started in 1980 while working on a third shift in an envelope factory. The story began as a simple murder mystery and evolved over twenty years. My career changes led me into the field of direct marketing where I had the good fortune to work with companies like Discover Card and Meredith Magazines which provided me with some vital information that I was able to use in the story.

As I explored motivations for my characters’ behaviors, I spent many hours in libraries researching the development and use of the atomic bomb and the resulting horrors.

Books with first person interviews of survivors were extremely helpful. The majority of the survivors were witnesses to the two worst days in the history of human warfare. Interestingly enough, the majority chose the same path to continue down. That path was not one of revenge, but of a determination to explain the details so that others would understand the scope of the horrors in hopes of preventing similar events from ever again happening

The most helpful books were:

Title Publisher Comments
"Nine who survived Hiroshima and Nagasaki: Personal experiences of nine men who lived through the atomic bombings" Robert Trumbull, Dutton, 1957 A story of nine people who survived both bombs. Who would have thought it possible?
The Hiroshima Maidens Rodney Barker, Viking, 1985 Wonderful story detailing this group’s history and the "This is Your Life" episode
Nagasaki 1945 Tatsuichiro Akizuki, 1981 Eyewitness account of Nagasaki

 

The Widows of Hiroshima Edited by Mikio Kanda, translated by Taeko Midorikawa, St. Martins Press, 1982  
The Day Man Lost Compiled by The Pacific War Research Society
Kodansha International, Ltd., 1972
 
Children of the A-Bomb Compiled by Dr. Arata Osada, translated by Jean Dan and Ruth Sieben-Morgan
Peter Owen Ltd., 1959
 
The Bells of Nagasaki Kodansha International, 1984  


My AIDS research actually coincided with history. It started in 1981 as I was returning on a plane from a trip to Washington, D.C. I had been looking for a "weapon" to use in my story.

On the seat next to me was a copy of the Roanoke Times with a front page story about a mysterious new disease, unnamed at the time. As I worked that description into my story, I began to follow the progress of the research regarding that condition through newspapers and magazines. It would later come to be known as AIDS. I still have that newspaper.

The attitudes toward the need for a cure evolved over the years, and I took the opportunity in my story to plant a seed of "what if." What if the NRA had been the first group to contract AIDS? How much money and political pressure would have been put forth to find a cure early on?

When it was just the gay population and drug addicts being affected, little attention was being paid to finding a cure. Almost an entire decade of research was lost as this disease spread throughout the world. Now the continent of Africa, as well as the rest of the world, is witnessing a pandemic greater than the bubonic plague. Had we started earlier with a greater investment in research, could we have prevented the spread?

If you look through news and research periodicals since 1981, you will see an interesting change in attitudes toward the need for a cure for AIDS.

As I read more about nuclear horrors, wars, and AIDS, I found myself becoming more involved as a world citizen. I believe this historical research helped me to write a story that reflects my developed convictions toward solving all of those problems.

How does a writer blend historical information and a fiction story to make the characters and location "come to life?"

For part of my story fact plus fact created fiction.

For example, much has been written about the A-bomb development and the secrecy around it. I wanted to show that similar things happen on both sides. I coupled facts from articles about secret chemical and biological warfare research the Japanese had initiated plus the fact that Urakami Prison was indeed at the epicenter of the Nagasaki blast, and was able to create a fictional, yet possible, story line.

Likewise, using the facts from "Nine who Survived Hiroshima and Nagasaki" and "The Hiroshima Maidens" I was able to create Tori, a fictional character I developed to show my three daughters the strength that lies within all of us.

D.D. Maloney - 2 (Continue)